Ye Meng, a member of Yiyang, a member of the Chinese Writers Association, Honorary Chairman of the Hunan Writing Association, an expert in the State Council, published 12 literary monographs, published 4 books, and published 4 books. “Nest” and “Witch Wind everywhere” were selected into more than 300 prose years, appreciation dictionaries, and prose selection books. A variety of literary history such as “Chinese Contemporary Literature History” and “History of Women’s Literature” are included in special chapters. It is one of the influential prose and prose poet in China in the new period of China.
Last year, Ye Meng and the Xin Hunan client launched the “Hundred Hand Links” literary columns, which baked a lot of whirlwinds on the Internet. million. Jiang Zuyi, secretary of the party group and president of the Hunan Daily, wrote to her: “Thank you very much for Teacher Ye Meng, and thank all the artists who participated in the Hundred Hand -Dougun. Together with the new Hunan, you have provided an Internet for readers of the Internet era. Traits of cultural feast. “
The so -called “combination” is an artist’s self -portrait, and Ye Meng wrote it for him; “Hundred Hands” will be created by Ye Meng and more than a hundred artists. We did not dare to surprise so many everyone, but Ye Meng, who was the people of Yiyang, was very desperate. From January of the New Year, all the articles of “The Background of the Rural” and “Witch Wind” that had caused a sensation at the end of the last century and authorized The mainstream media of my hometown, Yiyang, published it to all readers and friends in my hometown.
Interpretation of Yiyang’s cultural map
– “Background of the Land” preface
When writer Ye Meng sent a new directory and manuscript with an email, I was living in the west of Beijing. The two leisure chapters carved by friends, one called “Lotus West”, and the other is “North Drifting”, which is the position, identity and mood at this time. Houses will inevitably feel wandering. They often look at Nan Tian and think home.
In my hometown, Yiyang is the place where the “Peach Blossom River is a beauty nest” in Li Jinhui. , Zishui Bi Yiyu; the mighty cave court of Kishi Tinglan and Yu Ge, the wind and moon are boundless, and the beautiful scenery is picturesque; it is the place where the specialty pine flowers and bamboo mats. The quality and yield of ramie and reeds are well -known in the country; the place where sesame bean tea and tea are eaten. The hospitality of the farmhouse makes you kind and unforgettable; It is spicy and sour, and the world’s opera cannot be repeated. In my mind, Yiyang is the most classic Jiangnan.
Close to Yiyang, you can start with the landscape and walk in the way of walking; you can start with the character and communicate; you can also start with Ye Meng to read.
Ye Meng’s sensitive, delicate and unique perception of his hometown, he persisted in unremittingly creating her hometown like songs, from history to reality, from scenery to customs, and gradually formed a series. From “Witch Wind” to “Background of the Land”, people from local and foreign people interpret the extraordinary value of this ordinary land from different perspectives. She has become a masterpiece of prose in the new era with the landscape of “Shame Mountain”. Since then, it is out of control, there are panoramic white descriptions of Yiyang’s style, and there are literary interpretations of Yiyang folk customs. Most of them have become a recognized cultural map to explore Yiyang. This time she touched the pen to Yiyang’s character.
There have been many celebrities in Yiyang history, such as Tao Yan, Tang Peng, Hu Linyi, Zhou Yang, Zhou Libo, Zhou Gucheng, Ye Zi, Zhang Guoji … Contemporary Yiyang people also performed well, and the stars were bright. They not only promoted the progress of the times and society, but also expanded the width and depth of culture for Yiyang. Ye Meng perceived and grasped this rare cultural wealth, and launched a cultural monograph with the background of the context of the writer.
“The Background of the Rural” is not a book of Yiyang figures, and the choice of characters is not just aware of the choice standard. Most of them are familiar or interviewed by Ye Meng. Among them, the part of Zhou Yang, Zhou Libo, and Mo Yingfeng is not only a distressed prose, but also an exclusive new literary historical material disclosed by freshness. For example, Zhou Yang’s “Seven Altar Licorice Plums” explained the doubts of modern literature and filled the historical data of Zhou Yang’s research.
The character series written by Ye Meng, while increasing the weight of Yiyang’s history and humanities, deeply explored the humanistic spirit in a specific regional cultural context. The direction of Yiyang regional culture has become clear and intriguing. These historical talents from Ye Meng’s good historical knowledge, from the dedication of the dedication of the work, and the increasing native nostalgia from her inherently.
Ye Meng is a recognized lyrical prose player. Those characters who went from afar and distant had a lot of details through the writers searching for historical materials, recovering interviews, and getting a lot of details, so the characters in her pen were resurrected little by little, becoming vivid, specific, and alive, full of spirituality and warmth, although The book is composed of a single character and independent chapter. It feels coherent and smooth, like reading a complete story. Maybe due to the influence of the predecessor Yiyang writer Zhou Libo, behind her calm and simple text is the atmosphere of Yiyang and Yiyang, especially many words that only Yiyang can hear it. Essence
Ye Meng’s local background is unique. In the transition zone between the Xuefeng Mountains and the Dongting Lake Plain, the Pentium’s decision -making Zijiang has been calm and bent here. The bloody hidden people of the Xiang people are deep in the character of Yiyang people, but they are not as rigid as Shaoyang’s “Bao Gu” in the upper reaches. Explanation, good summary of humanity. Ye Meng’s efforts have enriched this local culture to the whole of Huxiang culture, and revealing its unique and distinctive personality: more and more subtle and elegant in heroes. One of the elders I respectful has worked and lived there for more than two years. The deepest thing he impressed was the gentleness of Yiyang people, euphemistic and peaceful. It is this peaceful that Yiyang culture contains lasting and long, and it will not be transformed into a civilized fragment in the hard reality collision.
After reading “The Background of the Rural”, maybe you understand: Why can a lot of spiritual literati that can grow on this land of Yiyang? There is a context there!
People are contained in the ground, and the land is named after people. Looking at Yiyang, I can’t forget those real and lively characters, and always think of the homeland that carries the spirit and products. Fortunately, today’s beautiful and peaceful as before. In the movement of countless cities, the planning and construction of Yiyang is rigorous and moderate. The rhythm of the development rhythm of the half -shot was not as good as a large -scale modernization. Now it has introduced modern ecology and environmental consciousness, and the process of urbanization is more scientific and democratic. In the past, the place where people were slowly showed more and more showing the value and advantages of the lameness. As a result, we are glad the continuation of Yiyang’s veins and have more confidence and hope for the future.
My ancestor was born in Yixian County, born in Nanxian, grows in Yiyang, employed Changsha, and semi -live at the edge of the northern Hunan area and Dongting Lake, but the traces of Yiyang are most deeply engraved in Yiyang. Because the age of Yiyang is starting to awaken the life of life, the unique local customs coincide with their own temperament, and many young friends are still the most sincere friends. There is the deepest hometown complex in the green and beautiful mountains and mountains. Reading the text in the book seems to return to the long -lost hometown.
(Jiang Zuyi: Secretary of the Party Group and President of Hunan Daily)
(Zhou Yang in his youth)
Seven Altar Licorice Plum (1)
——— Zhou Yang and Wu Shuyuan
Author 丨 Ye Meng
I accidentally walked into Wu Shuyuan’s story.
I used to live with the Wu Gongguan of the Wu family for 10 years. At that time, I didn’t know who the owner of the Wu Gongguan was nor the beautiful girl in the mansion of this painting. 73 years ago, in the sound of firecrackers and drums, 16 -year -old bride Wu Shuyuan was supported by eight people at the door of the mansion. It is said that the wedding of the year caused a sensation in Yiyang City’s fifteen miles, making people not only the beauty and wealth of the bride, but also the enviable is that the groom is also a beautiful young man. A pair.
The brideg by the groom (the word Jayosheng, the name is Yiyi, the post -name Zhou Yang) family is the famous Menwan family of Yiyang. It is a descendant of Zhou Yu of the Three Kingdoms. To count Zhou Xie should be Zhou Yu’s 59th generation of Sun, and the Zhou family understands that Bai wrote. Later, I watched the TV series “The Romance of the Three Kingdoms”, but when I saw the pictures of Zhou Yu and Xiao Qiao, I couldn’t help but think of the pair of Zhou Shi and Wu Shuyuan. I am marvel at the duplication of history, and the transmission of the genetic experience can be expressed so accurately. It cannot be denied that Zhou Yang, who is known as a beautiful man, has the blood of Zhou Gongjin and Xiao Qiao.
From Zhou Yu to Zhou Yang, how is the 59 -handed force stick passed by?
Zhou Yu and Xiao Qiao are a model of ideal marriage, and have become a good story that people envy for thousands of years. And 73 years ago, Zhou Shi should have a very sensational wedding with Wu Shuyuan in Yiyang City, and also made this beautiful young couple into the envious puppet at the time.
Who would have thought that a happy marriage that was envied and jealous would change. That beautiful bride would die in depression and poor in 20 years. The death of Wu Shuyuan, all the people who knew her sighed for her beautiful and kind life suddenly ended.
I approached Wu Shuyuan from the story of the seven altar licorice plums. I approached another protagonist Zhou Yang from Wu Shuyuan’s story.
As a Yiyang person, I feel like this fellow Zhou Yang. I have never seen him, nor have he heard his report, nor did he read his theory. For the important figures of the Chinese literary world (in form) for decades, I can not feel both kindness nor awe. But I heard many people say Zhou Yang, but in the 1950s, or in the late 1980s, the writers and scholars who had heard of Zhou Yang reported in the late 1980s and dumped it all, and there was a awe or even worship. This kind of worship is not easy to understand today. I opened a book “Zhou Yang’s recent work” and read those white paper and black words. I think it may be not only those theories that dump people, but also Zhou Yang’s demeanor, temperament and even instrument. It seems that Zhou Yang not only conquered others with the charm of his theorist and the authority of literary leaders, but more importantly, he won worship with his image and scholar’s wisdom.
In recent years, the topic of the literary world for Zhou Yang has continued. The complexity of Zhou Yang is entangled with the right and wrong of the literary world for more than half a century. Some people are constantly dismantling this group of messy numbness, and people are constantly exploring Zhou Yang’s spiritual world. I accidentally approached this topic, and I didn’t intentionally dismantle that complicated hemp. I was just providing a broader background for studying Zhou Yang.
Mysterious Zhou family
Yiyang Banqiao Zhou is the famous family of Yiyang. The water from the Western Wei Temple of Yiyang City is the last tributary of the south bank of the water. As soon as you step on the beautiful Zhixi River Valley, walk along this small river, and the mountains and forests on both sides of the strait, and the land of dozens of miles of land is the Zhou family. Not far away, there is a large mansion consisting of a black shell house with patio in the patio. No need to ask, those big tile houses are surnamed Zhou. The Zhou clan was the largest with Deng Shiqiao’s Yoshan House, and there were 72 patios. There is an episode of the new city of Zhixi River. When you go ashore, you can see the trees covering Qiu Gang in 3 miles to the west. There is a large mansion connected by a green brick tile house under the Qiu Gang. The large courtyard faces a large paddy field. The fence of the house is written with four large gray -white characters “quiet” and “avoid”. This complete manor is the Zhoujia house of Zhoujia, Duolian Village, Xintang.
The Zhou family’s big house leaning on the rolling hills, the west of the hundred acres of good fields in the west. The door of the black iron leather bag has an iron ring on the door. Entering the gate is the sedan hall. The sedan hall is the middle hall, and the middle hall is a small hall. On both sides of the hall are the corresponding horizontal houses, each side of the horizontal houses with halls and houses and houses and houses. There are 20 small and small patios in the hospital. There are camellia trees, osmanthus trees, banana trees, Tianzhu and hibiscus in the patio. There are backyard and wells on both sides. The backyard is leaning on the mountains, with pear trees, jujube trees, and papaya trees.
When Zhou Yang’s father died, Zhou’s family was still good. He could collect more than 700 rent each year, and there were 5 servants in the family. After Zhou Yang’s father died, his family business began to break, and the fields in the family had only sold them.
When Zhou Yang was 2 years old, his father died. Zhou Yang had no impression of his father. This naturally affects his father later.
I read the detailed map of Zhou Zhixian’s tomb of Zhou Yang from the family score. The topographic pattern of the tomb itself is particularly beautiful. The tomb is located in Xiangbi Mountain in Blood Village. I don’t know if Zhou Yang has read the genealogy during his lifetime. It was a set of dozens of books that recorded his family and the way to go. Perhaps Zhou Yang was not interested in his coming and going. The brilliant of the Zhou clan may not hide from Zhou Yang of the revolutionary.
Opening the Zhou family’s genealogy, it seems to touch the confusing chain chain. That book’s dusty volume records the rise and fall and development of Zhou’s 600 years.
Zhou’s ancestor was moved from Jiangxi Ji to Peijia Village from 15 miles of Yiyang during the Ming Chenghua period. The ancestors of that year were just a couple. From the 560 years from the six -year -old genealogy, the clan of the Zhou family developed into 4 pieces of Song, Yue, Thailand, and Heng, with a total population of more than 6,000. During the Qing Dynasty for hundreds of years, there were countless people from the Zhou clan officials to the Governor of Zhifu. Legend has it that the Zhou family has “48 red official hats”. In Yiyang’s folklore, the story of “Zhou Family Shan” is known in Yiyang. The story tells how Zhou made a family. Because of being moved by her kindness, she showed her a “cow practice” house, and instructed: “fish on the fish, horse rides, wearing iron hats” three things can not be buried after Qi Qi. This can be big. After the grandmother’s son Zhou Weidong died, everything was required to buy a fish to hang on the tree first. When the hour was approaching, he dug the acupuncture point. At this time Tools) Another person bought a new iron pot on the head. As soon as the hour arrived, the fish on the fish, the horses, the horses, and the people wearing an iron hat were all to Qi. Zhou Weidong ordered the chickens to be buried. The chicken was dragged by a weasel. Zhou Weidong chased the poor. Seeing that the weasel dives, Zhou Weidong was unwilling and dug along the hole.
There are several versions of this legend, no matter how absurd this legend is, but the Zhou family has reproduced so many people in more than 600 years, and obtained a large land on both sides of the Zhixi River, creating countless landlords. Rich. As for what happened to the Zhou family’s ancestors, none of the descendants of these thousands of people were known.
The land of the Zhou family is dozens of miles on both sides of the Zhixi River. There are no other surnames between dozens of miles, and there are rich gold mines on this land. In recent years, many farmers in Deng Wanqiao and Xielin Port have made money because of their blond hair. The wealth of the Zhou family may be related to the gold in this soil.
I have seen many people in the Zhou clan. Whenever I see the Banqiao Zhou family, I am always used to reading their faces. Their facial features always have a momentum different from others. Full heaven, open face, Zhou Zheng and the nose bridge, sparse and beautiful eyebrows, they are longer in their people, and the auricle is thick and long. They are relatively tall and high, and they are rare in the south. The instrument of the Zhou family is a manifestation of gorgeous and blessing, and a beautiful man Zhou Yang is one of the masterpieces.
I have read the photos of Zhou Yang, have been in contact with Zhou Yang’s nephews and distant relatives, and also studied the faces of many people in the Zhou clan. I panicked that the image of this family is so similar, in the vines of breeding branches, the general generally Can’t get rid of the kind of aristocratic blood written on the outside. My reading and discovery often excited me.
The people of Yiyang, like all southerners, are not much tall, but Zhou’s different doors are different, and there are many southern people like Zhou Yang. The beautiful man Zhou Yang is a typical and characteristic of the Zhou family. His image is the representative of a family. (To be continued)